Singing in Tongues

By: Goh Yong Ming Calvin

One thing beautiful about choral music

is the element of language as expression.

The power of errant syllables, merging to form

more than the sum of its parts.

And no, before you ask, we are not polyglots.

Far from it, in fact.

 

We simply follow instructions meticulously,

maneuvering lips, tongues, and soft palates

in a deliberate system of trial and error,

reaching blindly for the sound that

best resembles the lilting character of

mandarin. A challenge, indeed, for a choir

schooled primarily in Western music.

 

It makes me wonder about us, a group of

majority ethnic Chinese living in a multiracial country

yet unable to speak our mother tongue.

To have to curl our tongues around

voweled diphthongs haltingly,

to handle consonants with care,

and still fall short of authenticity.

 

As spoken by maestro,

“You sound like a real Chinese choir.”

Honest praise that carries with it the regret of a people

who failed to master the language of their ancestors.

Goh Yong Ming Calvin is a literature educator from Singapore who enjoys exploring what different literary genres have to offer. A strong believer of ‘writing what you know’, he is enchanted by the beauty of the quotidian and how it is perceived through different lenses. He is also fascinated by the power of language to convey complex thoughts and evoke emotional resonances, and he hopes to share with others the little moments and observations in life that may otherwise go ignored and unrecorded.